5 Easy Ways to Wow Your Crowd

Forget losing weight, saving money and getting organized. This New Year’s there’s a resolution you can have 100% success with by following five easy steps; making every performance a show stopper.

It doesn’t matter if you’re an indie artist, singing covers or even doing musicals, start sneaking one or more of these great vocal tips into your next performance and you’ll not only add to your own styling ability, but these tested and true tips will get your audience on their feet and coming back for more.

5. Sing phrases, not notes.

Singing notes is like hearing a violin pluck every tone of a song. Nice enough. But connecting the phrases is like the ebb and flow of the bow skillfully singing a story. Most singers sing notes, probably because we’re so focused on not missing any of them! But when you take a line and sing it long and connected, it not only improves the listenability of your performance, it allows you to do number four….

4. Tell a story.

Anyone can sing a song. And regardless of how talented you may be, there are plenty of people who can probably sing it better. But very few singers ever tell a story. Songs are nothing more than stories set to music. Once you know the basic rhythm and melody, focus only on the story of the song, how you can identify with it and how you can tell it in a way that brings people along. Good singers are a dime a dozen. If you an tell a story that people identify with they will come back for more.

3. Sing with your face.

The last time you griped about your day or told someone a secret your voice wasn’t the only thing talking; so was your face. Body language is a huge sign we rely on to decide whether or not we believe someone. If your face doesn’t reflect the story you’re singing, your audience is not gonna buy the performance… or your album. Bonus; when your face gets into it, your voice will want to take more risks too.

Watch yourself sing in a mirror. Do you look believable?  Get in touch with the emotion of the story.  It may take stepping outside of your comfort zone, but isn’t that what New Years resolutions are for anyway?

2. Go someplace with it already.

Just knowing the notes and the words is only the beginning of preparing to perform. Adding the story and the emotion is really important too. But NOW you get to add the magic; you get to make it your own.

Look over the lyrics and make some decisions. Where will you press into the notes and give them power? Where will you back off almost to a whisper and leave your audience on the tale end of a secret? Where will you slip in a trill and take them for a ride?  Style each song appropriate to your skill set and what fits the feel of the song and take some risks.

Even if the song you’re singing has been performed thousands of times by every major singer out there, NO ONE can sing it like you if you take the time to make it your own. Takes a little planning but the payoff is huge.

1. Hold the money note.

Ok. Here it is; the number one thing that impresses audiences; and it’s not even hard! You know that one note that’s the big ‘tah-dah’ moment? It’s usually at the end of a song, but sometimes it’s in a bridge. That’s the money note. Some singers trill around it before making a landing, some get in and out and are just glad to hit it (especially if it’s a bit high), but as simple as it sounds, the single biggest things crowds respond to is if you dig in and hold that sucker as long as you can.

Not sure you can hang on? You can increase your holding power by getting in the habit of holding the notes at the end of a phrase until it would be wrong to continue (like when the cord changes and you’d be out there on a limb alone… awkward. Don’t go there) The ability to hold a note a looooooooooooong time comes from a strong diaphragm muscle. It’s the muscle below the lungs we use to ‘belly breathe’ (watch a baby breathe; that’s all diaphragm, baby). Filling up your lungs won’t do it.

Here’s a simple way to increase your holding power; lie down. This kind of gets the shoulder-liftin’, lung breathing habit out of the way. Breathe in as slowly as you can and count in your head, ‘one thousand one, one thousand two….’ Then when you can’t take it any longer, breathe out as slowly as you can, counting from one again. Over time your time will improve, and so will your ability to hold that money note and wow your crowd!

This New Year, make a resolution to make every performance better than the last. Improve your skills and the experience you give your audience and you will gain the incredible satisfaction of knowing there is no one who can sing it like YOU!

Got Good Technique? Find Out.

Female-opera-singerGood technique is different that natural talent or incredible vocal licks.  Those things are the accessories of the voice, but solid vocal technique is the shape underneath it all.  And we all know you only do so much to cover up a bad shape!   Just like being in great physical shape makes you a hot lookin’ powerhouse, good vocal technique allows you to unlock your voice’s full potential in a healthy, balance way, and avoiding damage.

So, ever wonder just how good your vocal technique is?   Take this true or false quiz:

  1. I can sing up and down my range softly without breaks or weak spots.
  2. I can sing up and down my range at full intensity without flips or breaks.
  3. I can transition between very soft to full intensity without weakness or flipping.
  4. I don’t feel ‘pinched’ or ‘pulled’ at the top of my range
  5. I have no pain during or after singing
  6. I have no hoarseness after singing

If you answered yes to all five of these, congratulations!  You’re on the right track to having a healthy, balanced voice.  If not, no worries.  Just like we’re all at different places with our physical shape (my place is on the sofa), so it is with our voice.  The most important thing is knowing that you’re looking for help in all the right places.

As a vocal instructor I have subscribed to about every method of teaching out there in my adult life.   My mom was a degreed classical vocal instructor.  I learned to rock belt at 16 for my live and studio work.  And both of them brought their own set of problems.  With one I couldn’t sing with an edge.  With the other, I lost a good part of my range and I couldn’t transition between soft and intense without a lot of cover up styling.  So what I’m about to tell you is what I’ve discovered from my serious struggles with my voice and an intense search for an answer.

A couple of years ago I found a technique training method that literally changed everything I can do as a vocalist.  It removed myseth obstacles and more than doubled my range.  When I first heard about it, I was a serious skeptic.  Once I became a student and saw the concrete science behind it unlock my problems one by one, I signed on.  I had to.  Not only did it work for me, it worked consistently for every one of my students, without exception.  The methods official name is Speech Level Singing and it’s creator is Seth Riggs.  There are many other instructors who borrow from the method, some to degrees that kind of render it useless in my opinion,  but I like that the organization keeps the teaching pure by requiring it’s instructors to constantly be students as well as teachers.  (btw; you won’t find me listed on the site.  I’ve been on medical sabbatical for some time.)

The idea behind this method has actually been around since the 1800′s and though many classically trained singers scoff at the method, the truth is that a great many Metropoliton Opera stars, Broadway professionals and hundreds of very well known major label artists and groups study with SLS instructors because it enables them to do what they do better, longer and without damage.  I’ll take being scoffed at any day considering what I’ve gained vocally.

I think what makes speech level singing so different from everything else that’s out there is that it considers how your voice anatomically works.  It was developed with acclaimed voice specialists to understand what causes vocal problems and how to avoid and reverse them.  And out of the process of understanding the voice itself came a technique method that retrains your brain to let your voice do literally what it was born to do, and it truly is amazing to see the results. (not ready for private lessons?  Here’s a study at home program originally developed for the American Idol vocalists.  Guys go here. Girls, this one’s for you.)

So, yes, I’m a fan.  And do I think you should work with someone who is studied in the technique?  Yes I do.  That said, many of you have voice teachers you like.  My intention isn’t to drive you away from them, just to help you become more informed.

So, to sum it up:  Technique is everything – without it, your bling can’t do a thing!   How’s yours doing?

Love to hear your questions or comments about vocal technique.  Click ‘leave a comment’ at the top of this post and leave text, audio or webcam video.